Commissions
Commissions are an essential part of the art business. They represent the closest relationship between the artist and the client.
General Information
Historically, most artworks are in fact commissions. From a regular buyer who wanted to make his home more beautiful to big patrons of the arts who commissioned large scale artworks to decorate their palaces.
Artist were hired for almost everything. Ceilings, floors, walls and furniture we crafted by skillful artists, later on those ceilings were filled with gorgeous paintings. Busts of the owners sculpted by talented sculptors. Everything came together to make that room a birthplace of divine beauty.
Every person has the right to have that in their home. A piece of artwork is not merely an item in the room, it has a value as an aesthetical value that lifts the spirit of the viewer, aspires them to do better, aim higher; provides them with virtue, love and inspiration.
Categories
There are several distinct options when it comes to commissioning an artwork:
Portrait
Composition
Mastercopy
Decoration
Portrait
A portrait commission is the most common of all the options. The client orders a portrait of themselves or of someone else. It is also quite straight-forward, you receive a representation of that person.
It is common among fellow artists to paint the portrait by copying a photograph. And while that is easy, it results in an unauthentic representation of the person. That happens when the client commissions a painting of a photo and not a person. They provide a photograph and say, “I want this painted”. And while that is unengaging and easy, it most often that not gives unfavorable result, that neither the artist nor the client likes.
While photography has its intrinsic value nowadays, since one doesn’t feel the need to stay with the sitter for hours until they have a study upon which they can make the portrait. In this day and age is whole lot easier to have a photograph(s) taken of the person (with everything taken in mind, e.g. lighting, clothing, background, etc.).
The client can have their input on the things such as what theme, clothing, objects, hairstyle or backdrop they envision. While the artist takes those things in consideration, it is ultimately the artist’s artistic decision whether to put them in the composition or not. The artist is the composer and they know what works best for composition. The client is purchasing the artistry of the painter.
Fundamentally its a dialogue between the two parties so that it gives a satisfying result.
Composition
The compositional work is also common. It is when the artist is asked to paint a figural composition, a still life, or a landscape.
The figural composition is the one that I prefer the most. It gives room for storytelling that evokes a number of feelings. The process of making such a composition brings great deal of pleasure. It is indeed a creative process.
In history there were many competitions in which artists and architects were given a task and each came up with the concept the winner was picked out with the most favorable work. Such works you can everywhere; almost every palace’s design has been picked out of many others; their interiors as well; churches, fountains, gardens and parks; the sculptures inside them and many more instances.
In other words, the vision of the artist has been valued immensely throughout history.
One can receive such an experience when they order a compositional work. The client may choose the theme or give total freedom to the artist. They can say where the artwork would be housed so the interior, the size, colour, etc., could be taken into account so that at the end it all comes together in a beautiful harmony.
The theme could be mythological, religious or historical; from a book or a story. There is without a doubt thousands of options to choose from.
Mastercopy
The mastercopy has always been an essential part to the education of the young artist. It was indeed copying that was the segue from drawing to painting. Many new painters used it as a way to learn how to handle the paint.
Musée des copies, a famous museum in Paris, is a house to amazing art pieces that were produced during the 19th century. When students won Prix-de-Rome, they would get to stay at Villa Medici in Rome entirely on the expense of the French government. Annually they had to produce paintings that were to be sent back to Paris. Some of those were copies of Raphael, Michelangelo and many more. In other words, the sheer extend to which the French government of the 19th century went, shows the value that copying has.
Additionally, that was the way young artist would break onto the art market. The copying skills of the artist was a great index to their talent in executing a work.
If one likes a particular piece of work, they could very easily commission an artist to do a copy of it. The client gets to have works of an old master in their house executed in oils, and not just a cheap-looking print of it.
Decoration
Decorative work is an amazing way to get your house looking classical and aesthetical.
It was always up to the collaboration between an artist and interior architect to design the interior of a room. An artist could be hired to envision how the room would look. Ornamentations and murals are also to be designed by the artist.
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